Marvel's moral universe always was more nuanced than that inhabited by the stolid likes of Superman. It's more that they feel hurt and betrayed and appear to stumble on wickedness as a last resort. It should be noted that neither Harry or Max especially want to be criminals. If that weren't enough, he must also contend with a brace of fledgling super-villains in sickly Harry Osborn (Dane DeHaan), a putative Green Goblin, and downtrodden Max Dillon (Jamie Foxx), who flicks a switch and becomes Electro. On this occasion, Parker breaks up with Gwen Stacy (Emma Stone), who refuses to share him with his costumed alter-ego and prepares to light out for a new life in England. Given that the sequel marks Spider-Man's sophomore mission, it follows that the script will deliver sterner tests and added emotional entanglements. Garfield's gallant web-slinger may be out in the world and halfway up a building, but he clearly still has one foot in the locker room at high school. He is not above riding to the rescue of a bullied schoolboy or humiliating a Russian gangster by pulling down his pants. Here is a superhero who occasionally travels to work with a heavy cold. I also like the way that, despite the reputed $200m budget, there remains an endearingly amateur quality to Spider-Man's crime-fighting antics. In this they are again helped by the perfect casting of Andrew Garfield as Peter Parker he looks whelpish and raw, as though he's still filling out. And the film-makers know this and keep the tone skittish and fresh. But if the Spider-Man tale is about anything, it's about gawky youth and surging powers.
MOVIE THE AMAZING SPIDER MAN 2 2014 MOVIE
Marc Webb's spring blockbuster is the sequel to the reboot of the movie adaptation of the original Marvel comic-books, which is another way of saying it's a copy of a copy. It's the thread that won't break and the yarn which still binds. Yet The Amazing Spider-Man 2 turns out to be so savvy, punchy and dashing that it won't be denied. By rights it should be all over between us.
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He's taken the Hollywood shilling, embraced three-dimensions and pitched himself squarely at the multiplex crowd. Even Spider-Man, whom I loved as a kid, has now long since moved on. C hildhood heroes never die, they simply outgrow us, outlive us, and transfer their attentions to the generations that follow.